Monday, June 11, 2012

ARC GIVE-AWAY: EMOTIONAL WARFARE

Leave any comment below regarding your plans for the 4th of July between now and midnight of the 4th and I will enter you in a drawing for an Advance Reading Copy (ARC) of EMOTIONAL WARFARE. Winner announced Thursday, July 5th. Please leave your e-mail address if I don't already have it or check back for the winner.

Book Blurb:

When highly classified military parts go missing from Libby Aerospace Technologies, Dana Porter is sent to Wyoming to resolve the issues and negotiate a new contract with the United States Navy Defense contractor. But first, she’ll have to figure out why the parts are disappearing. The further Dana digs, the more dangerous things become, and when an ex-employee ends up murdered, she suspects someone is illegally exporting the goods.

Despite General Manager Nick White’s resentment of Dana’s presence, he cannot afford to lose the contract and knows she is his best bet in making sure that doesn’t happen. He left Indiana over a year ago to get away from her. Now, she is scrutinizing every aspect of his business, finding inconsistencies he can’t explain and awakening old feelings he thought long gone.

Together, they will race against time to stop the illegal exports and secure the contract, but with hearts and lives on the line, not everyone will walk away unscathed.


 Excerpt:

Khartoum, Sudan
Khartoum’s New Islamic Alliance Military Compound 

Zufar was dead.
The words like a mantra repeated in Rustan Hasan’s head, mocking his very existence.
Zufar was dead. Zufar was dead.
It should have been me. The thought roared through him like a freight train, the painful truth suffocating. Not Zufar.
The pressure in Rustan’s chest built, closing off the air in his lungs as the commander of the Khartoum’s New Islamic Alliance fraction told them of the attack against the United States. Blood had been spilled in accordance with the Quran. But Rustan, with his heart breaking, did not care about advancing Islam, about Allah’s law or the overall goal of the mission. He wanted to drop to his knees and scream out the rage tearing at his insides.
His legs trembled, and his stomach convulsed. A loud howling filled his head drowning out the words of his commander, but not the pain. The thought of his mother and sister pierced his heart. His shoulders shook beneath the olive green of his military uniform as his mind flipped back in time of two skinny boys playing along a dirt road. Makeshift swords of long twigs gripped in their hands as they fought an imaginary foe.
“One day,” nine-year-old Zufar had claimed. “I will fight and kill the real enemy.”
Rustan pulled away from the memories, snapping his shoulders back to quiet the trembling. He would not humiliate Zufar’s memory by falling apart in front of his comrades. He would not disgrace his family.
Zufar had been brave, and the Muslim Brotherhood would glorify his actions. Allah would reward him in the afterlife. Zufar had lived and planned for the day he would commit jihad against their enemy. His day had come, but to Rustan, it was without victory. The enemy had won. They had succeeded in killing a great man—his beloved brother.

Trinity, Indiana USA

The thrashing and groaning tugged Dana Porter out of a deep sleep. She bolted upright with the realization that her husband struggled with a muscle spasm. She jumped out of the king size bed and circled around to Ted’s side. His eyes squeezed tight against the pain, his fist clenched in a seized state. His sweat-slicked body scented the air with bitter pain. He tried knocking her hands away as she worked to roll him onto his stomach.
“Leave me alone,” he forced out between clenched jaws.
A part of her wanted to leave him to writhe in agony until he begged for help. But he would be stubborn, and she couldn’t allow the pain to go on that long.
She positioned herself, one hand at his shoulder, the other at his waist. Mentally, she counted to three, then lifted, and shoved at the same time. He screamed out as he rolled onto his stomach.
Tears stung her eyes.
“Okay, it’s almost over.” Climbing on the bed, she knelt over him and began to knead the knotted muscles of his back with the heels of her hands, ignoring the ache moving up her arms.
Dana consoled herself with the knowledge that things weren’t as bad as they had been right after the accident that left him paralyzed from the waist down. The spasms had come weekly then, but over time had diminished to every six months.
He resented her help, but didn’t fight her with the enthusiasm he once had. Oh, he remained emotionally shut off, almost proudly so.
“That’s enough, Dana. The spasm’s gone,” he murmured, tugging her back to the present.
She climbed from the bed and helped him onto his back. The spasms always left him weak and unable to manipulate his way out of bed. He would need help, and the need would piss him off.
She pulled the blankets up to his waist and thought, as she often did, what a magnificent chest he had. His arms and upper body thick with rope-like muscles from years of dragging his lower body around. She had told him once how beautiful his body was, running her hands over his chest. He had looked at her in disgust and pushed her hands away. The memory kept her from touching him now, kept her from looking into those ice blue eyes.
“Do you want to get out of bed or sleep a few more hours?” She asked, bracing herself for his harsh response.
“What are you going to do?”
She glanced at him, confused by the quiet reply. “I’ll go ahead and get my shower, maybe head into work early.”
“I’ll just lie here a while longer.” He grabbed her wrist when she turned away. The voluntary touch surprised her. “Thank you, Dana.” His words stunned her.
She faltered. “You’re welcome,” she mumbled and then retreated behind the bathroom door.
Under the hot spray of the shower, she let the tears scald her cheeks while painful, silent sobs ripped through her body. Three years and it still broke her heart at how cruel fate had been to Ted, how brutal it had been to their love.

Friday, May 25, 2012

Cover Reveal for WEIGHTED by Ciara Knight

Weighted is a young adult post-apocalyptic with paranormal elements. It is a prequel novelette to The Neumarian Chronicles, and will be released August 2012. Book I,Escapement, will be released in 2013.

Blurb:

The Great War of 2185 is over, but my nightmare has just begun. I am being held captive in the Queen’s ship awaiting interrogation. My only possible ally is the princess, but I’m unsure if she is really my friend or a trap set by the Queen to fool me into sharing the secret of my gift. A gift I keep hidden even from myself. It swirls inside my body begging for release, but it is the one thing the Queen can never discover. Will I have the strength to keep the secret? I’ll know the answer soon. If the stories are true about the interrogators, I’ll either be dead or a traitor to my people by morning.

Wednesday, May 9, 2012

Getting Lost in the Story

I’m one of those people who can completely get lost in a story, become part of the action and emotion swirling around the characters. My heart thuds in my chest along with the heroine’s as she rescues horses from a burning barn and it leaps for joy at the sight of the man she loves (TwoBrothers). I feel the beat of the music as a dancer takes the floor at a nightclub on the arm of a handsome partner and the pain experienced when the truth is revealed (Silent Partner). The tickle of fear streaks down my spine with a sickening churn in my stomach when I see the face of a teenage girl trapped in a burning building (Silent Scream).

But that’s me. 

I’ve learned over the last 9 months that not everyone gets totally lost in the story, even an exceptionally well written one. They can’t let go enough of their surroundings, their thoughts or worries to become one with what they are reading.
  
To me, this is the whole point of reading—it’s an “escape hatch” as Stephen King would say. And yes, I’m slightly addicted to King since finishing his book On Writing. I never expected to like it so much. 

Anyway, I’ve also learned that there are those who get even more engrossed than I. They invest so much of themselves into the story and the characters that they become very angry with the author for not giving them the ending they expect, the closure they feel they and the character deserve. 

As a reader, I don’t begin reading a book with an expectation of how it should end, except for the necessary happy ending that the romance genre is known for. That is why I read romance. I don’t expect the characters to act or speak a certain way. The unknown is part of the journey, the best part, in my opinion.

I started out writing this thinking about a few typos in my own published books. Some people noticed and some didn’t. Then an author friend told me not to worry, she found typos in every book she’s ever read. Okay, she actually mentioned my favorite author’s name, which I refuse to repeat. If you know me or have been here before, you know of whom we speak. I’ve never found a single mistake while reading many, if not all, of this favorite authors books. Why? I think it’s because I’m so immersed in the story that I don’t notice the mistakes. I’m not just reading the words, I’m living it, feeling and breathing it.

Some, maybe most, of the ability to get lost in a story depends on how well it’s written. But I think it can have a lot to do with one’s ability to let go of the real world. It’s kind of like sex, they say a woman can’t reach orgasm if she can’t relax, if she can’t let go of the worries of her day, if she’s uptight, tired, or stressed. Maybe the same is true when it comes to reading. If we are feeling guilty about sitting there, doing nothing, and thinking, “I really should clean or cook…” or whatever else it is we heap on our shoulders, then chances are we aren’t going to relax enough to get lost in the story.

So what do you think? Is it the Author’s ability or lack of to pull us in? Or do our own lives play a part in keeping us from getting lost in the story?

Sunday, April 1, 2012

"I never did like this story."

Nope, this isn’t an April Fools' Day joke. Emotional Warfare was a difficult story for me to write. I think because it hit too close to home. They say to write what you know, but there’s something to be said for putting distance between your real life and the make believe world we create. Anyway, I shoved the story aside and went on to write two more novels, and found myself in a quandary. I could not, in good conscious let the story, the characters and the fours months I took to write the draft go to waste. It had potential and was worth the effort. So, I put my foot down with ME and wouldn’t write the next book or complete the two written since until I finished Emotional Warfare. I couldn’t do it. I sat spinning my wheels, not wanting to go backward and not allowing myself to move forward. Something had to give. More on that later.

This probably isn’t the smartest thing for an author to admit about their own work. After all, if I struggled with it then surely you won’t want to read it.

Not true. Really, you say. YES, I insist.

How many of you have seen the movie or read the book, Carrie by Stephen King? Did you like it? Have you watched the movie more than once? The answer is yes for me.

Well, King didn’t like Carrie White. He admits this in his book, On Writing, that he never did like her character. He might not have finished the story if his wife hadn’t found the crumbled up pages of the beginning in the trash and asked him to finish. He struggled to do so, but it is the novel that launched his career. He had published many other stories, and wrote several novels he liked better, but it was Carrie that gave him his big break. Because we liked the story even though he did not.

I can’t say my dislike for Emotional Warfare goes that deep. I wrote the first draft without any problem. I liked my characters, and there was merit to the story. But I was stuck. How many of you are asking yourselves, “Well, then why did you write it?” Because the characters were in my head and they had a story to tell. The first draft was easy because it was just the basics. It was when I had to get down to the details, when it got difficult that I wanted to walk away from the story.

With that said, here is some insight from King’s book, On Writing, that hit home for me:

I had written three other novels before CarrieRage, The Long Walk, and The Running Man were later published. Rage is the most troubling of them. The Long Walk may be the best of them. But none of them taught me the things I learned from Carrie White. The most important is that the writer’s original perception of a character or characters may be as erroneous as the reader’s. Running a close second was the realization that stopping a piece of work just because it’s hard, either emotionally or imaginatively, is a bad idea. Sometimes you have to go on when you don’t feel like it, and sometimes you’re doing good work when it feels like all you’re managing is to shovel shit from a sitting position. King, Stephen (2000-10-03). On Writing (pp. 77-78). Simon & Schuster, Inc.. Kindle Edition.

I can say with some confidence, and I think my editor would agree, that I was not shoveling shit when writing Emotional Warfare. But then it is all in ones perception of what is good and what is bad—just like any work of art, beauty is subjective.

I like to compare writing to doing a painting. You do the first draft, which is the outline or sketch of the picture then you go back over and over to layer in the color, filling in the lines. I struggled to do that with Emotional Warfare.

Here’s what finally gave: I submitted Emotional Warfare to my publisher, thinking if they put me under contract, I would then be on deadline and forced to finish it. And that’s exactly what happened. It is almost done; currently working through it’s final (I think) round of edits. It’s a good story, if I say so myself, and will be released July of this year. Here’s hoping that, like Stephen King’s Carrie, Emotional Warfare will ultimately be the book that gets me known—Okay, I’ll say it, that it makes me famous. Hey, it can’t hurt to dream. After all, being published was once only a dream and it came true. My fingers and toes are crossed. 

Emotional Warfare blurb:

When highly classified military parts go missing from Libby Aerospace Technologies, Dana Porter is sent to Wyoming to resolve the issues and negotiate a new contract with the United States Navy Defense contractor. The deeper Dana digs into the issues, the more dangerous the situation becomes and Dana suspects the parts are being illegally exported.

Despite General Manager, Nick White’s resentment of Dana’s presence, he can’t afford to lose the Navy contract and knows she is his best bet in making sure that doesn’t happen. When he accepted the promotion and moved to Wyoming over a year ago, it was to get away from Dana. Now, she’s scrutinizing every aspect of his business, finding inconsistencies he can’t explain and awakening old feelings he thought long gone.

Emotions are high as they battle to control the situation and their potent attraction. Together, they will race against time to stop the illegal exports and secure the deal, but with hearts and lives on the line, not everyone will walk away unscathed.

 

Thursday, March 15, 2012

Happy St. Patrick's Day

Things to do:
  1. Drink green beer
  2. Wear green or maybe you like getting pinched.
  3. Go to a parade
  4. Hang out at an Irish Pub
  5. Attend church - after all it is about St. Patrick the Patron Saint of Ireland
  6. Watch March Madness
  7. Eat Cornedbeef
  8. Attend a St. Patrick's Day dance
  9. Kiss a Leprechaun
  10. Find the pot of gold at the end of a rainbow (I think they call that the lottery)
How do you celebrate St. Patty's Day?

Tuesday, February 14, 2012

HAPPY VALENTINES DAY!
Marriage Proposals